If anything, Hoberman’s comment underestimated the seismic impact that “Schindler’s List” would have to the public imagination. Even for the youngsters and grandchildren of survivors — raised into awareness but starved for understanding — Spielberg’s popcorn version on the Shoah arrived with the power to carry out for concentration camps what “Jurassic Park” experienced done for dinosaurs before the same year: It exhumed an unfathomable duration of history into a blockbuster spectacle so watchable and well-engineered that it could shrink the legacy of the entire epoch into a single eyesight, in this circumstance potentially diminishing generations of deeply personal stories along with it.
Wisely realizing that, despite the centuries between them, Jane Austen similarly held great regard for “women’s lives” and managed to craft stories about them that were foolish, frothy, funny, and very relatable.
Even more acutely than possibly in the films KieÅ›lowski would make next, “Blue” illustrates why none of us is ever truly alone (for better even worse), and then mines a powerful solace from the cosmic secret of how we might all mesh together.
There could be the technique of bloody satisfaction that Eastwood takes. As this country, in its endless foreign adventurism, has so many times in ostensibly defending democracy.
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The second of three small-finances 16mm films that Olivier Assayas would make between 1994 and 1997, “Irma Vep” wrestles with the inexorable presentness of cinema’s past in order to help divine its future; it’s a lithe and unassuming bit of meta-fiction that goes all of the way back to the silent period in order to reach at something that feels completely new — or that at least reminds audiences of how thrilling that discovery could be.
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Hayao Miyazaki’s environmental stress and anxiety has been on full display because before Studio Ghibli was even born (1984’s “Nausicaä in the Valley with the Wind” predated the animation powerhouse, even as it planted the seeds for Ghibli’s future), but it wasn’t until “Princess Mononoke” that he specifically asked xxbrits the concern that percolates beneath all of his work: How would you live with dignity in an irredeemably cursed world?
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